Excerpt: Lee Matthew Goldberg’s ORANGE CITY

Excerpt: Lee Matthew Goldberg’s ORANGE CITY

At six on the dot, the gloved cellular let out a piercing ring. A timer turned on, ticking down with each buzz. E wouldn’t have long to remain idle. The entire pod apartment vibrated, and his capsule bed slid open. The white ceiling drew his attention, the walls devoid of color, a minimalist’s fantasy—nothing like a home.

Shades of the dream from last night still lingered. His knuckles painted with blood as he beat a shadow. The voice of the shadow belonging to a ten-year-old boy. The boy’s cries stabbing E’s ears. He shook that dream away.

He removed the intravenous tube that connected him to his bed and switched off the cooling mist which allowed him to slumber for days. He stretched his old bones, his hair standing up in a state of white shock like it had since he was a young man. Swinging his thick legs over the side of the bed, he yawned at the morning before finally answering his cell.

“I’ll be right there,” he coughed into the digital eye on his gloved palm.

He removed the glove and pushed a button on the side of the bed. Doors opening along the wall revealed a sliver of a kitchen with a piping pot of subpar and gritty coffee brewing on the counter— the best offered to the Scouts— and two sizzling poached eggs from a suspect source. He scarfed down the eggs and pushed another button to raise the shades along the lone wall facing east. The heart of The City hovered in the near distance, its new buildings staggering on one end like giant colorful stalagmites. Sipping his black coffee, he watched it in motion as he did every morning.

Between the Scouts and the rest of The City lay a half a mile of ice water. The City was made up of many Regions, his situated on the outskirts. Sometimes he wondered what it would be like to fall into those frosty waters and drift off to wherever it might choose to take him, no longer having to shuttle between The City and the faraway Outside World anymore. But instead of a dramatic suicide, he suited up and headed through the tunnel with a suitcase in hand like he had for twenty years. He’d convinced himself long ago that living here was better than rotting in prison like he would’ve been if they hadn’t selected him. At least he was still able to get lost in a bottle of whiskey or feel the sun against his cheek during the few instances it was allowed to peek through the chronic clouds. Even though The City was far from ideal, the Outside World remained definitely worse. It reminded him too often of the man he used to be and of the terrible sins he’d committed. These thoughts returned at the beginning of every week while he geared up for another one, as he wondered if one day the Man in the Eye might give him a promotion and he wouldn’t have to be a Scout anymore.

That way, he’d never have to return to the Outside World.

Then, he could possibly be at peace, like all The City’s inhabitants wished.


Lee Matthew Goldberg is the author of the novels The Ancestor, The Mentor, The Desire Card and Slow Down. He has been published in multiple languages and nominated for the Prix du Polar. His first YA series Runaway Train is forthcoming in 2021 along with a sci-fi novel Orange City. After graduating with an MFA from the New School, his writing has also appeared in The Millions, Vol. 1 Brooklyn, LitReactor, Monkeybicycle, Fiction Writers Review, Cagibi, Necessary Fiction, the anthology Dirty Boulevard, The Montreal Review, The Adirondack Review, The New Plains Review, Underwood Press and others. He is the editor-in-chief and co-founder of Fringe, dedicated to publishing fiction that’s outside-of-the-box. His pilots and screenplays have been finalists in Script Pipeline, Book Pipeline, Stage 32, We Screenplay, the New York Screenplay, Screencraft, and the Hollywood Screenplay contests. He is the co-curator of The Guerrilla Lit Reading Series and lives in New York City. Follow him at LeeMatthewGoldberg.com


Hypertext Magazine and Studio (HMS) publishes original, brave, and striking narratives of historically marginalized, emerging, and established writers online and in print. HMS empowers Chicago-area adults by teaching writing workshops that spark curiosity, empower creative expression, and promote self-advocacy. By welcoming a diversity of voices and communities, HMS celebrates the transformative power of story and inclusion.

We have earned a Platinum rating from Candid and are incredibly grateful to receive partial funding from National Endowment for the Arts, Illinois Humanities, Chicago DCASE, and Illinois Arts Council.

We could not do what we’re doing without individual donations. If independent publishing is important to you, PLEASE DONATE.

Categories

Follow Hypertext

MORE FASCINATING DETAILS

About

Masthead

Header Image by Kelcey Parker Ervick

Spot illustration Fall/Winter 2024 by Waringa Hunja

Spot illustrations Fall/Winter 2023 issue by Dana Emiko Coons

Other spot illustrations courtesy Kelcey Parker Ervick, Sarah Salcedo, & Waringa Hunja

Copyright @ 2010-2025, Hypertext Magazine & Studio, a 501c3 nonprofit.

All rights reserved.