Poetry by John Grey

Her Plauge

On my sister’s outback sheep station, locusts are unnecessary.

Drought comes with more buzz and carapace and feeler

than any Biblical plague.

Nothing’s devoured as thoroughly as grass that never grew.

Her kids envy those who can rush out into the fields

and, without even trying, trap an insect in ajar.

Horizon, sky, and hard red earth have got the dry heat

snared already thank you very much.

They don’t want children staring down through pin-pricked lids.

It’s rain that all the tubs and tanks and plots of earth are set for.

Now that’s the real trick. Grab some moisture. Squeeze it in your palm.

See the wings fall off, the head crumple, legs snap in two.

Or keep it living under glass, rolling around, fluttering, twitching.

Brown bush. Bare earth. Dead ewes and rams.

On my sister’s outback sheep station,

God was vengeful the moment He was God.

Historian

Not a city but an ancient relic,

I’m amazed how people, in their

business fluidity, misread this place

they live and work in, ignore the

walled-in column, the inscription,

too hungry, too absorbed, or even

just too stuck in neutral for the

fragments of yesterday, the history,

the extraordinary lives just inches from

their well-worn paths.

Look who’s buried in your graveyards.

See who pummeled stone on this old

workbench, who roared liberty to the

rafters of this ancient church while

soldiers muscled in from all directions.

The man in business suit thinks himself

as much too rare for this.

The girl with spiked hair, nose ring,

believes the world began with her existence,

Meanwhile, I read the plaque on an old building,

gift my eyes, my heart, my head,

to what happened here two hundred years before.

If I don’t do this,

the past has no future.

After The Hike

Shoes come off slowly,

as if feeling sorry

for my sore, humiliated feet.

Socks peel away

like the second skin

they’ve truly become.

Some hitchhikers fall out,

pebbles, grains of sand.

And then I’m down to

swollen ankles,

aching arches,

toes squeezed together,

refusing to release.

I’ve barely courage enough

to examine the blistered, bleeding soles.

If feet were Sons,

we wouldn’t be on speaking terms.

But they’re extremities.

Nothing of my body

is farther from my brain

and still they report up to it.

It’s been twenty miles

of uneven, rocky, hilly terrain

and the news is not good.

 

 

Your Need To Not Know

Dear N, you wouldn’t believe the size, the color,

the shape of the opals they dig out of the desert here.

Like you wouldn’t believe how tall the skyscrapers

are in New York or how wide the Amazon river is

in parts or how deep the Grand Canyon.

So why do I bother trying to compare opals

with whatever it is that’s perfect in your life

when you won’t allow these gems of mine

to diminish what you have, not for one moment.

“Mona Lisa” couldn’t drop your value nor castles

compromise your home. Not even hearing

opera at La Scala could shift your certainties

an octave. and bullet trains can go a million

miles an hour for all your conviction that

there’s no place you need to go.

Dear N, some old prospector showed me

an opal today that dazzled my eyes though

I know your eyes don’t dazzle. He told me how

much he could get for it. A small fortune

in my dollars. Chump change in your skin.

And he says there’s plenty more where

that came from. But then again, nothing

comes from anywhere. Wherever you put it,

there it is.


Australian born poet, John Grey, works as financial systems analyst. Recently published in Poem, Caveat Lector, Prism International and the horror anthology,”What Fears Become” with work upcoming in Big Muddy, Prism International and Pinyon.


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